| |
The Living Tradition
PO Box 1026
KILMARNOCK
KA2 0LG
Tel 01563 571220
Our Reviewers
Top Selections
_________________
SOURCE
Scottish
Irish
English
Welsh
Gaelic
Cape-Breton
Australian
America
Canada
Galician
CONTENT
Song - Solo
Song - Group
Instrumental
Instr'l Groups
Music & Song
Dance
Pipe Bands
Archive
New Writing
Compilations
INSTRUMENTS
Pipes
Fiddle
Accordion
Flute
Whistle
Guitar
Mandolin
Banjo
Harp
_________________
Newletter
Feedback
About Us
Advertise
Writer's Guidelines
Links
Site Map
Email Us
This site is Copyright (C) The Living Tradition Ltd. No part of this site may be used without the permission of The Living Tradition.

|
|


|
|
|
VARIOUS ARTISTES - Strange Coincidences In Speciality Tea Trading
Osmosys OSOCHEAP027
|
|
Well, here is a compilation CD that is a candidate to win several awards. First, the most eclectic collection of artistes on any folk compilation I will ever review; second the most charming liner notes on how the album came to be; and third the wittiest catalogue number on any compilation CD anywhere!
Regarding the mix of performers: try these on for size. Maddy Prior singing Sydney Carter; the (of blessed memory) Incredible String Band; Brian Perkins reading Les Barker's version of the Shipping Forecast; And Did Those Feet singing a Welsh language gem; Dougie Maclean at his incomparable best with Rabbie Burns; Anthony John Clarke with an arresting song that was new to me; both Tony Hall and Blowzabella showing that they could both do their bit on the instrumental front; Emma Heath with an achingly pure version of The Blacksmith; and finally, Quietly Spinning Man with a song that has considerably grown on me since I first heard it a year ago.
Quite a mix, and that is only HALF of them. (Alas, space restrictions mean I cannot give them all a mention.)
And as for the origins of the label and the startling coincidence at the root of its birth: let's also say that you'd best read Richard Ellin's charming notes! A summary from me will not do them justice.
Suffice to say that it is a collection that I quite enjoyed. Most of the contributions were sufficiently non-mainstream as to avoid the charge of seeming like used chewing gum: a charge that even the best compilations are sometimes not free from.
Dai Woosnam
|
|
|