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| THE
MELLSTOCK BAND - Glad Tidings Serpent
Press SER. 008 |
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I don't normally
enthuse about 'festive' releases, but I've enjoyed recent offerings from
different 'stable' (Wassail!, St. Agnes' Fountain, the Carnival Band!)
so I was not unkindly disposed towards this one . The disc's subtitle
A West Gallery Christmas provides the necessary clue to the character
and underlying intent of the release, which presents, amidst other not-necessarily-strictly-seasonal
fare, some of the more familiar Christmas carols in less familiar guise,
generally using the settings, instrumentation and singing styles of west
gallery choirs of the past. For those unused to the term, West Gallery
music (also known as country psalmody) is the distinctive harmony singing
tradition that flourished in rural English churches from the early 1700s
through till the mid-19th century. Music of extraordinary vitality that
was usually composed and taught by people of humble origins rather than
'professional' composers and performers, in which respect it has kinship
with several 'living traditions', such as Sheffield pub carolling and
American Sacred Harp singing.
These latter traditions are also represented on this CD (there's a Sacred
Harp variant of While Shepherds Watched alongside the more familiar Lyngham
setting), although some purists might (inevitably) feel that such renditions
aren't quite 'authentically primitive' enough. Whatever, the suitably
spirited singing and playing of the Mellstock ensemble and their chosen
soloists brings an appealing quality of 'lively antiquity' that's a feature
of all the vocal items on the disc. The Mellstocks' approach to instrumentation
is in keeping with west gallery principles, whereby the instrumentalists
did not merely double the vocal parts but improvised variations and independent
supporting parts - often the old bands played for dancing, which informed
the playing for the carols as well as the dance tunes. The purely instrumental
selections on this CD therefore range from country dances (The Triumph,
Sir Roger De Coverley, Dorchester Hornpipe) through to a setting of Dives
And Lazarus. An infectiously earnest delight in performance is evident
in everything the Mellstocks tackle; the whole CD is well programmed,
and exuberant and ebullient in the best Mellstock tradition.
David Kidman
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